PASS IT ON ISSUE 63
PASS IT ON - ISSUE 63: DATE
Hi everyone! I hope you have all had a fantastic week. Thanks to all who
have contributed and a special hello to all new members. Thank you also to
everyone who has offered support and encouragement, I really do appreciate
it. Please enjoy this week's issue of PASS IT ON.
A Disclaimer of Liability
Please ensure that your submissions are ACCURATE and clear. I will accept no
responsibility for any errors or omissions contained in the information
submitted. PLEASE be careful.
To unsubscribe send an email to jacket@smartchat.net.au with "unsubscribe"
in the subject heading.
WHAT IS PASS IT ON?
PASS IT ON is a weekly, on-line, interactive, networking newsletter for
those involved with or interested in the children's writing industry. It is
emailed to subscribers every Monday.
PASS IT ON will survive for as long as YOU the CONTRIBUTOR determine. I am
the collection point for YOUR submissions. I am one cog in a tool that has
the potential to be very powerful. (submission guidelines can be found at
the end of the newsletter)
If you wish to receive PASS IT ON - email me, Jackie Hosking at
jacket@smartchat.net.au and I will send you the most recent issue of the
newsletter and an invoice. If you like what you see, please return the
invoice along with your payment and I will add you to the subscriber's list.
If you join in July it will cost you $24.00 If you join in August, it will
cost you $22.00 If you join in September, it will cost you $20.00 etc...
(all subscriptions will then be due on
Please contribute as often as you can and be assured that I will treat your
contact details with the utmost confidentiality. I look forward to making
many more new friends.
Past issues may be viewed at my website www.jackiehosking.com
GENERAL INFORMATION
Just received a letter from Word Weavers Press to say they're very sorry but
unfortunately they're not able to continue publishing due to lack of a
distributor.
I read, with interest, Peter Taylor's information about Mary Major and the
Queen of Peace School. My experience with them has been really good. I
received an email from Mary, answered it, and posted one of my picture books
called SLEEPING IN. The class answered promptly with a thank you. And I
was thrilled to receive months later, a hand-written short note from each
child in the class saying what they liked about my book (long after I
thought they would have forgotten me). It made my day.
Christine Harris
SEEKING
>From an author on her search!
Thankyou to the author who replied to my 'missing editor' query. The name of
the editor was Sally Green. Does anyone know where she went?
Cheers
Sharon Greenaway
Talking to Students about Writing Books:
I have written a science fiction novel and had it published in
how I wrote the book, the process, and give kids some insight and
inspiration about writing books, and reading them too. The book is called
Parashield, it is set in Perth W.A. and may appeal to young adults.
My email is caduceus@iinet.net.au If anyone has some information on who I
can contact regarding getting into schools and libraries, that would be
great.
Thanks. Samuel Osborne.
REPLIES TO SEEKING
A response to the query about publishing under a business name rather than a
'real' name.
Under the regulations for PLR and ELR, payments can only be made to a 'real
person.' Therefore books written by trusts or companies etc are not
eligible. Once you get into mid-career as a writer I think you find that
lending right payments last longer than royalty cheques so making sure of
eligibility is, for me at least, an absolute priority.
As for advantages to publishing this way - maybe there are taxation benefits
but they would have to be very good to outweigh the disadvantages.
Libby Gleeson
NEW PUBLICATIONS
Max meets a monster - Tracey Hawkins
Illustrated Picture Book
New Frontier Publishing
Max is having his first -ever sleepover at Grandpa's house. What is the
horrible noise that wakes him in the night? Follow Max and Old Ted as they
hunt through the house, confronting fears until they come face to face with
a most surprising monster.
Max meets a monster is Tracey's first illustrated picture book. Available
from www.newfrontier.com.au/picture.htm and all good bookstores.
Yellow-bellied Goalie - Tracey Hawkins
Gigglers series
Blake Education
Ben has been selected to play goalie for his team's hockey game. Only
trouble is, Ben is too chicken to be a goalie. Rats are gnawing at his guts,
he hopes his chestplate will stop them splattering on the ground.
He struggles into the protective gear and tightens the leg pads.
"Ok Ben, you're ready for battle." said Coach.
Pearson Education is pleased to announce The Grass is Greener, a new
non-fiction book in its Chatterbox series, written and compiled by Bill
Condon. Contributors include Chris McTrustry, David Hill, Dianne Bates,
Tiger Woods and Dr Karl Kruszelnicki.
SPECIAL EVENTS
CHILDREN'S WRITERS' FORUM No. 3
The final forum for the year (at Victoria University, St Albans
campus, Melbourne) will be on Saturday 12 November, 12.45pm - 4.30pm.
Guest speakers are:
Eva Mills (editor from Allen and Unwin)
Jacinta di Mase - literary agent who represents children's and YA
writers.
And a session on "How to Survive Rejection Letters". Please bring your
favourite or worst rejection letter to share!
Still only $20, includes coffee and chocolate bikkies.
Email RSVP to Sherryl.Clark@vu.edu.au or phone 9919 2681 if you need more
info.
Geelong Gallery, Little Malop Street, Geelong
Words at the Gallery
On Sunday 30 October at 2.00pm, in conjunction with Geelong Writers Inc, the
Geelong Gallery presents a popular art-and-text tour of selected works in
the Lake Gnotuk exhibition. The local writers who have collaborated on this
project are Yvonne Adami, Dr Carol Bardburn, Dr. Margaret Clark, Richard
Frankland, Graeme Kinross-Smith, Nicholas Koehne, Susan Kruss, Amelia
McBride, Carmel Reid and Jan Scherpenhuizen.
A free event.
www.vicnet.net.au/~gwriters
The Children's Book Council, Southern Sub-Branch invites you to:
"When Camels Could Fly"
Wednesday 2nd November,
7 for a 7.30 start,
Sutherland Trade Union Club,
The Kingsway, Gymea.
This will be a night celebrating the magic and power of story with popular
storyteller Bronwyn Vaughan presenting exciting Arabic, Vietnamese and
Macedonian stories and Random House Publisher Linsay Knight discussing her
recent short story anthologies. The collections feature local Australian
storytellers such as:
Deborah Abela,
Paul Jennings,
Victor Kelleher and
Andy Griffiths,
as well as international authors such as:
Margaret Mahy.
The function is suitable for children aged 7+ and adults. Cost: $6 for
adults and $3 for children.
Bloomin' Books will provide the bookshop.
For more details contact 9540 3788 during business hours or email Sue
Whiting at whitings@bigpond.net.au
A short AGM will also be conducted.
Asian Children's Writers & Illustrators Conference (ACWIC) 2005
17 &
Speakers are:
· Patricia Aldana, the publisher of Groundwood Books who will
deliver the keynote speech on National Publishing of Children's Books. She
will also conduct a manuscript critique session for ACWIC participants
(limited to 8 participants)
· Helle Vibeke Jensen, award-winning Danish illustrator well-known
for illustrating Hans Christian Andersen's fairytales
· Carla Pacis, workshop presenter on history and real-life events
for young adults books
· Patrick Seow and Lak-Khee Tay-Audouard, who will talk about their
experience working on Monkey: The Classic Chinese Adventure Tale
· A book launch by a local author who will share with us how she got
published as a result of attending ACWIC 2004!
Full details of the conference is listed at
http://www.bookcouncil.sg/acwic.h
CBCA NSW BRANCH ARE PLEASED TO ANNOUNCE
THIS YEARS LADY CUTLER AWARD WINNER & DINNER
The Lady Cutler Award is presented annually for distinguished service to
children's literature, the accent being on service. The recipient will have
given service well beyond his or her professional association with
children's literature. The recipient will have made a contribution primarily
in
regarded as plusses.
We are pleased to announce that for her outstanding contribution to
Children's
Is this year's recipient of the Lady Cutler Award
Come along and share dinner with friends & celebrate the work of this year's
Lady Cutler Award recipient, Val Noake.
The dinner will be held at
Drummoyne Sports Club
2 Hythe Street, Drummoyne
Tuesday 8th November
7.00pm for 7.30pm
We are also honoured to have Lisa Shanahan as the Guest Speaker for the
evening.
Lisa Shanahan's award-winning titles include Sweetie May and Dear & Chook.
Her newest release is Daddy's Having a Horse
Members $43.00
Non-members $48.00
We would appreciate you booking early so we can manage numbers, and we are
also looking forward to sharing this happy event with you.
Our thanks go to our sponsor for the evening
Hatchette Children's Books.
Booking forms are available on our website www.cbc.org.au/nsw or you can
use the one below:
-----------------------------------------------
Lady Cutler Dinner 2005
Name:
_______
Address:
Postcode:
Phone: Fax:
Email: ____
Number of Vegetarian Meals Required: _______
Booking for ___ members @ $43 per person ___ non-members @ $48 per
person
Total amount owing: $____
Please charge my BC / MC / Visa credit card
Expiry Date: _____/_____
__ __ __ __ / __ __ __ __ / __ __ __ __ / __ __ __ __
Name on Card: ________________________Signature:
_________________________________
Please place me on a table with:
____________________________________________________
POST TO: CBCA (NSW Branch), PO Box 765, Rozelle
NSW 2039
FAX ON: (02) 9810 0737
CALL ON: (02) 9818 3858 (Office staffed on
Tuesdays & Fridays)
E-MAIL ON: cbcansw@bigpond.com
-----------------------------------------------
MARKET OPPORTUNITIES
COMPETITIONS/AWARDS
http://www.abcbookcompetition.org/newpages/third_guidelines.html#Anchor-SUBMISSION-11481
WRITING COURSES/WORKSHOPS
NEW WORKSTYLE SKILLS
HAVE YOUR SAY
FROM AUTHOR Deborah Abela
Dear PIO,
I agree wholeheartedly with Di Bates about the issue of ceasing anonymity
when submitting to PIO.
If you feel strongly enough about an issue to have it published in a
newsletter then you should be brave enough to put your name to it. Too much
vitriol has been let loose behind the screen of anonymity and my guess is,
if a name had have been attached, the contributions would be tamer and more
reasonable.
Attacking people in a public forum, then not owning up to who you are, is
just cowardly. And Jackie, what a great idea. Too many vitriolics (can I say
that?) fail to complain to the people who can help deal with their
complaints. The fact that you will not publish negative whinings without
proof that that person has gone to the source is fantastic. Well done,
lovey! And thanks for all your hard work.
FROM AUTHOR DC Green
Dear Jackie,
I'd like to congratulate you (and Di Bates before you) on making PIO the
most valuable thing that arrives in my email inbox, week in, week out. One
day you're going to score an amazing and well-deserved publishing deal from
all the karma points you've accumulated!
I'd also like to heartily endorse your new rules on grizzling submissions.
The publishing industry in
contributors need to realise their submissions may not only damage the
person they are aimed at, often unfairly, but also harm the aimer. I've
always followed this simple rule: never say anything behind someone's back
that you haven't first said to that person's face. I know I would be
outraged if someone mauled me on a public
newsletter without first trying to sort out the problem with me in a upfront
manner.
Oh, and Marg McAllister's article was a hoot!
HAVE YOUR SAY
Hi all
On the anonymous contributions issue - I don't see the need for it most of
the time on the topics discussed in PIO. People certainly shouldn't use to
it snipe at individuals. It makes it too easy for spleen to be vented
without reflection on the accuracy of the criticism,
cheers
Duncan Richardson
FROM AUTHOR/ILLUSTRATOR Gail C Breese
Anonymity
I'd like to respond to Di Bates and Jackie regarding putting a name to a
gripe in PIO. "From an Author" crops up quite a lot and I think that if you
believe strongly enough about something, surely you can put your name to it?
Of course, there are always exceptions and reasons to keep one's name out of
a debate but to me, seeing someone's name there gives credibility to
whatever is commented upon. Hearing from and about other authors keeps me in
touch and I feel part of a writing family especially when some of the names
become familiar to me. (I also don't live in - or near - a capital city.)
PIO is full of great information and is a fantastic, positive networking
tool. While it's important to be informed about things to avoid or be aware
of in the publishing world, we should try to avoid gossip and to submit
gripes only if all avenues have been explored to resolve the issue first.
ALSO
Jackie, thank you for starting a section for updated publisher's manuscript
guidelines. What a great idea and how valuable for authors wishing to keep
on top of who wants what by when. I try to go fairly regularly to the
publisher's websites to see if anything has changed but as most would know,
cruising the web is very time-consuming and absorbs quality writing time. So
if the other publishers respond to your letter and we save the guidelines to
a folder or print them out, we will all have a great compendium of who to
send what by when. :-)
HAVE YOUR SAY
ANONYMITY
Jackie, you're doing a great job and we all appreciate how you handle
everything. I wholeheartedly agree with your proposition of refusing
anonymous negative postings unless the subscriber shows evidence of trying
to solve the problem personally with the target concerned. I feel there is
a point some of the whingers miss. Everyone's experience with the same
publisher will be different. As an example, just because an author may have
to wait a year for a decision on a manuscript, it doesn't mean that all
authors will wait the same length of time. A publisher shouldn't be
black-listed because of a complaint from one disgruntled author. I like to
sign myself as Mappy, not because I have any dark secret to hide, or cringe
behind anonymity because I am weak, but simply because I like to. It has
been an occasional pen-name of mine for over twenty years and is a
contraction of I'm Happy. Most people wouldn't recognise my name anyway,
unless they have read some of my books. I don't intend to use PIO to attack
a person or a publishing house, so I can't see what difference it makes if I
use my real name or regular pen-ame. ...Mappy
HAVE YOUR SAY
Regarding Jackie's comment:
"I would like to therefore, make a suggestion of my own. From now on, if you
have problem with a specific organisation, I would ask that you approach
them directly first. If you do not get an answer to your satisfaction, you
might suggest to them that you will be expressing your disappointment in
PASS IT ON and offer them the chance to argue their case publicly."
I support Jackie's suggestion 100%. This suggestion is ideal because it
still allows people to air their problems (thus protecting fellow PIO
readers), while diluting unnecessary negativity.
I remember back to an earlier PIO issue when someone expressed their view
about a small publisher. The information in the PIO contribution was
factually incorrect, and the contributor issued an apology the next week.
In the following weeks a number of authors wrote in to defend the falsely
accused publisher. However, if the contributor had first contacted the
publisher (which is what Jackie is asking us to do), then the whole negative
episode would never have taken place. Though irritated, the publisher chose
not to take the issue any further. Others may not be so gracious.
We have a collective voice that wields some power, let's be respectful of
this power, and use it wisely. If Jackie is (understandably) forced to
discontinue PIO, it would be a sad day for all in the children's writing
industry.
Jackie, thank you for providing an interesting, informative and positive
newsletter every Monday. You do it for peanuts, and you do it even though
you are a busy writer, busy wife and busy mother of small children. Your
hard work is very much appreciated!
LF
FROM AUTHOR Liz Flaherty
I was interested to read the comments by Di Bates regarding anonymous
contributions. I really enjoy receiving PIO each week, however I've always
been uncomfortable with people contributing anonymously. It seems to me that
this allows people to comment negatively about people or situations that
obviously they would not do so were their name attached. I appreciate the
generosity of people who contribute information or market news that help me
as a writer, but to be honest I'm just not interested in anything else. I do
understand why some people find it necessary to point out publishers/editors
etc that may not give writers what they're looking for, however, I feel
quite happy to find all this out by myself - I guess I'm also concerned that
the more flak there is in PIO, some editors may just say 'shove it, it's not
worth the effort.'
So, on a lighter note... I have recently had one of the best writing
workshop experiences ever - at John Marsden's residential weekend. Thank you
so much john for a fabulous weekend. The workshop activities were intense
and packed full of useful insights, the food was unbelievably good and I've
come home all fired up and I think a much better writer!
Just one other thing while I think of it! Over previous weeks there has been
some discussion about writers' sessions with students. I think it's very
important for the teachers to fire up the students beforehand. As a primary
teacher I cannot imagine taking kids to a seminar where we had not
previously read or discussed that authors books or talked about writing or
books in some form. It may be a fantastic opportunity to meet or experience
an unknown author's work - but I think the enthusiasm needs to initially
come from the teacher way before the session, which will then naturally flow
to the kids.
HAVE YOUR SAY
Thanks Edel.
I appreciated Edel Wignell's article on time-management skills and I have to
acknowledge her gentle slap on the wrist - though I'm sure it wasn't
intended as such. But I see that I have been internetting too early in the
day and not making the most of my creativity. Edel's reasoning wasn't new,
but sometimes we all need these simple reminders of old truths. Which
highlights the beauty of PIO - sharing positive little tips to make us all
better writers. Lets keep it up and running - with integrity.
RE Anonymous Contributions to PIO
I do not feel anonymous contributions to PIO should be discouraged. There
are times that I like to contribute anonymously. Not so that I can snipe,
but rather, so I don't show my ignorance. The cushion of anonymity means
that new contributors and shy writers can benefit from interaction within
our industry.
But your stance RE submissions (outlined last week) is sensible and
necessary. Many times gripes aired in PIO are genuine cases of
misunderstanding. They become issues as soon as they are aired in a public
forum - often as pointed, personal attacks. Editors and publishers have
feelings too!
PIO is a powerful tool and should be used appropriately - or you undermine
the credibility of every contributor and subscriber. Not to mention our
generous compiler! There is no excuse for slanderous attacks. If there is
cause for comment then there is a right and wrong way it can be said.
Kathryn Apel
ARTICLES
Do you write in plain English?
http://www.questia.com/newsletter/volume-1-issue-3/index.html?CRID=nullCRnull&OFFID=news20051023f
Plain English writing can express a wide range of notions, from the simple
to the complex. It is easier to read and often easier to write. But what is
plain English?
According to Edward P. Bailey Jr., Plain English at Work: A Guide to Writing
and Speaking (New York: Oxford University Press, 1996) 3, plain English is a
way of expressing ideas clearly in writing and speaking:
What is plain English?
Plain English, to put it simply, is a way of expressing your ideas clearly
in writing and speaking. As for plain English writing, I think of it as
having three parts:
Style. By style, I mean how to write clear, readable sentences. My advice is
simple: write more the way you talk. This may sound simple, but it's a
powerful metaphor that can revolutionize your writing.
Organization. I suggest starting with your main point almost all the time.
That doesn't mean it has to be your first sentence (though it can be)-just
that it should come early and be extremely easy to find.
Layout. This is the appearance of the page and your words on it. Headings,
bullets, and other techniques of white space help your reader
see-visually-the underlying structure of your writing. The value is immense.
I think of layout as fun to do, and easy, too, with today's computers.
Plain English is not limited to expressing only simple ideas: it works for
all kinds of writing-from an internal memo to a complicated technical
report. It can handle any level of complexity.
Why is plain English better than the "other way"?
Plain English has two important advantages over the other way of writing:
It's far easier for your reader to read.
It's far easier for you to write.
You don't need many more advantages than those, do you? But let's look
further.
In the past, plain English seemed merely a preference: you like the old way;
I like plain English. Who's to decide? Well, psycholinguists have simplified
the decision. Their work shows clearly that plain English is easier for all
of us to read, no matter how smart we are. And no matter how much experience
we have as readers.
For example, psycholinguists have learned that we all take longer to read
less familiar words (like commence) than familiar ones (like begin). The
difference is only a few hundred milliseconds in time-but a lot less strain
on the short-term memory (and the older I get, the less strain I want to put
on mine). The implication? As writers, we can help our readers by preferring
ordinary words.
PUBLISHER GUIDELINES
AUTHOR/ILLUSTRATOR PROFILE
YOUR WRITING TIPS
**A new section that is begging for your attention. Please feel free to
Pass them On!**
Penny Garnsworthy recently attended Meet the Publishers at the Brisbane
Writers Festival and although not much of what was said was targeted
directly at children's authors, it might be worthwhile you could include
some of it in PIO.
A panel of five publishers gave their views on current publishing trends and
what they look for in manuscripts. They were:
Ronny Gramattia, John Wiley in
three programs: trade in Sydney, business in
Ben Bull, Editorial Direction from Simon and Schuster in the
wide variety of genres).
Stephanie Green, the National Library in
biographical and must have relevance to the Library's collection).
Madonna Duffy, Publishing Director of University of Queensland Press in
Shona Martin, Publishing Director of Harper Collins in
wide variety of genres).
Comments
§ Bookshops are fighting for their market of existing readers and
they are price driven.
§ Publishers are publishing less books that they did five years ago.
The publishers agree many books previously published weren't ready for
publication.
§ In fiction, the toughest genre in which to get published is crime
(the detective story or whodunit). Science Fiction/Fantasy is a growing
genre and Chicklit is dead! The hottest genre is the thriller and social or
multicultural novels are also doing well.
§ Place is important; if you're living in
submitting a manuscript to the
§ Publishers look for truth, beauty and originality - a new idea or a
new take on an old idea.
§ Write a 'standout' query letter to attract the publisher's
attention. You must be able to say, in thirty seconds, what your manuscript
is trying to achieve. The first paragraph and first page must attract
attention.
§ Do your market and industry research, visit bookstores, imagine
your book on the bookshelf, read and find out whether your book is similar
to others in the genre.
§ Make it easy for the publisher - submit professional work. For
non-fiction work in particular, research and compare. Tell the publisher how
your book differs and is better than other books in its genre.
§ A reputable agent does not charge to read your manuscript. Agents
can be located through the Australian Literary Agents' Association and via
their website at: http://www.austlit.com/b/index.html.
§ E-Books haven't been adapted to as was envisaged but a new e-reader
is currently being marketed by
prefer to turn the pages of a book but eventually young people will feel
more comfortable reading from a computer screen.
§ And finally, a new publication, Literati, was recommended to all
authors. It contains candid interviews and photographs of authors and their
day-to-day views on success and fame, as well as their fears, their critics,
their fans, their frustrations and their anguish over writer's block.
Authors include Sonya Hartnett, Di Morrissey, Garth Nix, John Marsden,
Carmel Bird, Matthew Reilly, Andy Griffiths and John Birmingham.
Penny Garnsworthy
www.pennygarnsworthy.com
USEFUL BOOKS/WEBSITES
My article - Networking on a Budget can be read at
http://www.writing4successclub.com/jackiehosking9.htm
BOOK REVIEWS
· The following books will be reviewed by Laurine Croasdale on ABC
Radio Canberra 24th October at 3.30pm:
Double Cross
by Greg Pyers
ABC Books
Rex
by Ursula Dubosarsky and David Mackintosh
Penguin Books
The Writing Experiment
by Hazel Smith
A&U
Egyptian Diary
by Richard Platt
Walker Books
MIRROR MIRROR a brilliant new play by Sue Murray
Directed by Nicholas Lahey
Premiered at Star of the Sea Theatre Manly in Sydney
Wednesday 19th October 2005
This innovative, powerful and important play by Sue Murray explores and
reveals the harsh emotional, psychological and social world of a girl
struggling with eating disorders.
The play is complex as Sue Murray parallels the girl's entrapment by her
eating disorder with a circus. The ring master welcomes the audience to a
circus filled with clowns and lions and trapeze artists. There is fairy
floss and fun as the circus invites all to participate. However the circus
world is not as it seems. It's filled with mirrors, illusions, twists and
turns, distorting life by crazy illusions which steal away the happiness of
the girl and her family and friends.
The complexity of the play with the inter-relationship of music, dance,
stylised chorus work, symbolism, myths and relationships within a family and
between friends, challenges the audience's complacency about media images
and the ideal concept of 'beauty'.
'Mirror, Mirror' is a visual and emotional feast which draws its audience
into the play, until the audience becomes caught in the illusions and drama.
Until the audience is faced with the reality of eating orders with all its
pain and loss.
Yet, 'Mirror, Mirror' offers hope. Not easy hope with a quick resolution.
Hope, that with the support of the girl's family and friends, can fight the
demon of eating disorders. There is no guarantee that the girl will win the
battle, but there is at least a battle she can fight.
Sue Murray researched eating disorders extensively giving 'Mirror, Mirror'
medical and psychological veracity and emotional truth. It is a play that is
enormously entertaining but also is one that opens essential communication
about eating disorders. It is a play which can empower young people and
parents to confront this serious condition.
Nicholas Lahey's direction of the talented year 11 drama students at
'Mirror, Mirror' is cutting edge new theatre. Pan MacMillan will be
publishing 'Mirror, Mirror' in 2006.
Reviewed by Susanne Gervay
INDEPENDENT CHILDREN'S BOOKSHOPS
CRITIQUE GROUPS BULLETINBOARD
**Looking to create or join a critique group - here's the place!**
We're a general genre crit group. Currently we have two active members who
have been together for 4 months. We're all book-unpublished with good
writing skills and experience ranging from 1-10+ years.
Please contact PIO member Rowena Evans, familyevans@ozemail.com.au if you
are interested in joining.
I have formed my own critique group with one member submitting every 4 to 7
days. You may reply direct to me at benj1706@optusnet.com.au. or through
Jackie at jacket@smartchat.net.au
Cheers,
Jeff Bolinger
MILESTONES
**A new section for members to share their achievements**
Just to let anyone in S.A. and Tassie know that the Christobel Mattingley
Reciter, Nest Egg, published by Triple D Books, illustrated by Christina
Booth will be launched in South Australia on the 11th of November, and at
Birchalls Book Store (the oldest bookstore in Australia) Launceston,
Tasmania, on November the 23rd and at Stories Bookstore, author and
illustrator session for kids on the 24th.
Christina Booth, illustrator & author
INSPIRATIONAL QUOTES
Sri Chinmoy:
"To silence enthusiasm at any moment is absolutely wrong."
ADVERTISEMENTS
PASS IT ON SUBMISSION GUIDELINES
Submit contributions to jacket@smartchat.net.au
Comic Sans MS, 12pt, single-line spacing (not essential but helpful)
Mark PASS IT ON SUBMISSION in the subject line
Submit within the body of the email
Give your piece a title heading: eg New Publications; Seeking; General
Information; etc.
Email addresses and contributor contact details will be withheld unless
otherwise stated
Jackie Hosking
Editor/Compiler "PASS IT ON"
www.jackiehosking.com
posted by Jackie at 11:45 PM
0 Comments:
Post a Comment
<< Home